SARA GIRÓ


ABOUT ME

SHORTFILMS
Ventanilla 7
Carmín
Esta noche no


PUBLICATIONS
Morirse (no) es lo que era


BEFORE MAKING MOVIES
PULL&BEAR
Wallapop
Tagliatella
Tinder
Playz RTVE
Código Nuevo



















LINKEDIN
Andrea (24) wakes up with a béchamel stain on her shirt and the sound of a stapler that won't staple. She isn't in heaven, but in the General Records Office, a limbo of gray cubicles, flickering fluorescent lights, and clerks who'd rather listen to football than deal with existential crises. Facing her, Ángel (60) hands her a death certificate and a catalog of final destinations: reincarnate as a cat, a pine tree, or dissolve into a "collective consciousness."

Andrea uncovers the terrifying systemic truth: the Afterlife is a machine built to erase the "noise" of individuality. The system doesn't seek the soul's rest — it aims to turn it into a lump-free "light purée," stripped of memories and consciousness. Armed with manic cynicism, Andrea refuses to be liquefied and launches an attack on the infrastructure, trying to crash the system.

Currently in post-production.

Link to Vimeo for a sneak peek.